Tunaweza’s band members are a physically handicap: they have deformities of hands and legs and relay on crutches and wheelchairs to move. Six of them are disabled because of Polio, two have been disabled because of wrong injection in the hospital and one has been born with a birth defect.
Is Swahili, Tunaweza means “Yes, we can,” and the band see its name as reaffirmation of their efforts to be recognized in the Tanzanian music scene. It is a group of seven handicap people who are proving that they could be as good musicians and performers as anyone else.

Lehema Haji, 24, is one of two women in the band. She begun working with the band after Survival Sisters, and joined Tunaweza to lend her voice to vocals. Rebecca Muambujule, 23, is the other female artist and disabled by polio. Leaning over her crutches she plays the conga. During the rehearsals she is learning to play marimba.
Julius Zawose, 41, disabled because of a “wrong vaccination given at the hospital,” plays several instruments: marimba, zeze, ilimba and is the one teaching Rebecca. “We had two blind persons and an albino express interest in joining the band,” says Ishak.
Tunaweza meets to practices three times a week at a Dar es Salaam poor neighborhood of Tabora. They set up their instruments under a large acacia tree in the back of the band members house. A blue and white plastic sheet is rolled out for the guitar players to sit on and the dancers to dance. Their instruments are worn and beaten down. The rust has eaten thru the percussion and it breaks it down with every beat.
The band practices the Sindimba style of music, a local Tanzanian beat with rhythmic base beat and funky guitar. Their style includes rumba, soka and pop as they perform with a mix of western and African instruments: conga, base, solo guitar, marimba, drums, conga, keyboards and zeze.
The band is as much about the show as it is about the music. As the bands two dancers, men move their stiff legs with their hands, shake their bums and stand on their head the show may seem a bit macabre, or strange, even exploratory of their handicap. But, that is Tanzanian popular music can be.

The curious neighbors come over to hear them play. The local children sit, huddled around the laundry basket watching the spectacle and listening to the conga beat.
The band begun as an idea of Masoud Wanani, a local businessman who decided to help the disabled get their voice in the country’s music scene. “I always felt that disabled people were neglected and I wanted to find a way help them to help themselves,” says Masoud.
Masoud enlisted the help of Idi “the elephant” Tembo, 38, a disabled dancer of the Toti Plus, a popular Tanzanian musical group with national following. Idi used his recognition and knowledge of the Das es Salaam’s disabled community to put the core of the band together. Times are still tough and even now, Idi is not able to make a living from music and he supplements his income by making chalk for local schools.
The band begun in February of 2008 and since then wrote and produced six songs. “We are the first and only disabled band in Tanzania,” says Ishak Kibene, the Tunaweza’s president. Their handicap is something that unites different band members as they come from different ethnic groups. There are mostly Muslims, but there are a couple Christians.

As Tunaweza performs Raha Duniani, song of happiness, they are upbeat and smiling. They are comfortable with whom they are, and excited where their music could take them. They played two concerts and their president promises that good things will follow. In February 2010, Tunaweza band performed at the 2010 Sauti ZA Busara music festival on Zanzibar. So far it hasn’t been easy to get gigs or secure a regular performance venue. “This is not like in Europe where everyone gets a chance,” says Ishak, “but, we will make it.”
Music doesn’t see disability, but rewards talent, enthusiasm and hard work. As long as you can use your fingers, feet, mouth or teeth, you can make music. Tunaweza is as much about music as it is about acknowledgment of disabled people and Tanzanians becoming comfortable with them leading independent, creative lives.









